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莎士比๐Ÿ˜›๐Ÿ˜‘亚现场

莎士比๐Ÿ˜›๐Ÿ˜‘亚现场

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  • ๅนดไปฝ๏ผš2016
  • ๅœฐๅŒบ๏ผš英国
  • ่ฏญ่จ€๏ผš其它
  • ๅฏผๆผ”๏ผšGregory,Doran
  • ไธปๆผ”๏ผš大卫ยท田纳特,凯瑟琳ยท塔特,本尼迪克特ยท康伯巴奇,朱迪ยท丹奇,伊恩ยท麦克莱恩,海伦ยท米伦,梅拉ยท沙尔,大卫ยท苏切,洛福斯ยท温莱特,蒂姆ยท明钦,Gregory,Porter,约瑟夫ยท费因斯

ๅ‰งๆƒ…็ฎ€ไป‹

Fr๐Ÿ˜๐Ÿ˜‹๐Ÿ˜๐Ÿ˜Šom the stage of the๐Ÿคจ/๐Ÿค `^๐Ÿ˜šRoy๐Ÿคซ๐Ÿ˜‹$]๐Ÿค—al Shakespe:๐Ÿ˜†_are))๐Ÿค”) The[[๐Ÿ˜‹atre i๐Ÿ˜‰n ๐Ÿ˜†๐Ÿคฎ๐Ÿ˜ชStratf๐Ÿ˜ด+๐Ÿ˜€\ord-upon-๐Ÿค‘?Avon, ๐Ÿ˜ฌ๐Ÿค’๐Ÿ˜๐Ÿค๐Ÿคชh๐Ÿ˜‘๐Ÿคซosts David Tennant an๐Ÿคชd ๐Ÿ˜†Cat \๐Ÿ˜˜๐Ÿคขh๐Ÿคซerine Tate are j๐Ÿ˜‚๐Ÿ˜”oin๐Ÿ˜„ed by Ben๐Ÿ˜‚.๐Ÿ˜™edict๐Ÿคฎ๐Ÿ˜’๐Ÿ˜‘ Cumberb๐Ÿ™„atc?,๐Ÿ™‚h, Judi๐Ÿคฉ- Dench #, ๐Ÿ˜ช๐Ÿ˜›Ian McKellen, Da๐Ÿ˜ด๐Ÿ˜ทme Hele _๐Ÿ˜ชn Mirre)๐Ÿ˜๐Ÿคฎn, ๐Ÿ˜ƒ๐Ÿ˜ดMe๐Ÿคข๐Ÿ˜ฌ๐Ÿคฅer๐Ÿคซ\๐Ÿ˜ด`a Sya\+.๐Ÿ˜l, David Suchet, ๐Ÿ˜™๐Ÿ˜%Rufus Wainwright, Tim Min_๐Ÿค๐Ÿ˜๐Ÿ™ƒ๐Ÿค”c-๐Ÿ˜€hin,๐Ÿ˜’๐Ÿค”@ G๐Ÿ˜˜regory๐Ÿ˜” Porter,๐Ÿฅฐ Joseph๐Ÿ˜š๐Ÿคญ Fiennes#, Engl๐Ÿ˜›๐Ÿ˜ด๐Ÿ™‚ish Na๐Ÿ˜˜๐Ÿ˜›๐Ÿค—๐Ÿ˜ฌtion%๐Ÿ˜‰al Oper๐Ÿ˜Š`๐Ÿคขa#\, The Roy๐Ÿคฅ๐Ÿ˜˜al Ballet an๐Ÿค’๐Ÿค—!๐Ÿคd Akala for a ๐Ÿ™ƒve๐Ÿ˜„๐Ÿคซry specia๐Ÿ˜ด๐Ÿค‘l๐Ÿคฃ๐Ÿ˜ƒ๐Ÿค‘ ev#๐Ÿ˜ฌ๐Ÿคฎ๐Ÿ™„ening.ใ€€ใ€€Toget๐Ÿฅฐ๐Ÿ˜๐Ÿ˜”her/๐Ÿคซ [t\๐Ÿ™„he ๐Ÿ˜†y mark the life and work of Wil๐Ÿ˜ท*`๐Ÿ˜€liam Shakespear!๐Ÿค”e on t๐Ÿค‘([\he 400th anniversary๐Ÿค• of๐Ÿค!๐Ÿ˜ท๐Ÿ˜” th๐Ÿ˜๐Ÿ˜˜๐Ÿ™„e playw\ r]\๐Ÿ˜™igh t's #death.%๐Ÿ™‚๐Ÿฅฐ Th๐Ÿ˜˜+;is๐Ÿ˜‰๐Ÿ˜‚ unique even๐Ÿ˜˜๐Ÿ™‚t takes place๐Ÿ˜‚\๐Ÿ˜’ in the p๐Ÿ˜๐Ÿ˜œ๐Ÿ™ƒrese๐Ÿ˜’_๐Ÿ˜‰/๐Ÿคคnce / ๐Ÿ˜๐Ÿ˜ช๐Ÿ˜›of t ๐Ÿ˜‰heir Ro๐Ÿ˜๐Ÿคฉya]๐Ÿ˜\๐Ÿ˜l Hi๐Ÿ˜†๐Ÿค’๐Ÿ˜‰ghness$๐Ÿ˜;e๐Ÿคจs ๐Ÿคค[๐Ÿคจ๐Ÿคชthe Pri๐Ÿคช๐Ÿคฎ=nce %\๐Ÿค—of W๐Ÿ˜™๐Ÿ˜’๐Ÿคจales and the D๐Ÿค•๐Ÿคฎuc๐Ÿ˜†๐Ÿคญhess of Corn๐Ÿ˜™๐Ÿ˜ด)wall and`๐Ÿ˜‹ ce๐Ÿ˜‡๐Ÿ˜š+๐Ÿคญlebrates Shakesp๐Ÿค’\๐Ÿค ๐Ÿ˜œe๐Ÿ˜†=๐Ÿคฉ? ar๐Ÿ˜e's ext,๐Ÿ˜Š)๐Ÿ™„๐Ÿคจraor๐Ÿค‘๐Ÿ˜‰ ๐Ÿ˜๐Ÿ˜šdinary legacy and his enduri@๐Ÿ™ƒ๐Ÿ˜„n๐Ÿ˜˜;๐Ÿคซ๐Ÿค’g i,,๐Ÿค‘๐Ÿ˜‘nfl๐Ÿ™‚๐Ÿค•uenc๐Ÿ˜‘๐Ÿ˜†e on a๐Ÿคฉ)๐Ÿ˜ด๐Ÿ˜ll p๐Ÿ˜Š๐Ÿ˜…๐Ÿ˜ทe) r๐Ÿ˜ \๐Ÿ˜ฌfo*๐Ÿ˜rmanc=๐Ÿ˜›๐Ÿ˜ด๐Ÿค‘e art forms - from o[pera to jazz, dan@ ๐Ÿ™‚ce๐Ÿ˜[ to musica๐Ÿ˜ฌ๐Ÿค‘ls.

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