剧情简介

“Sa😐 ngen Om Den Eldröda Blomma😉🤪😜n🤤” ( “😪😑Song Of T🤥😏🤫h😃_e 😶😋Scarl🤢😁+et\🙃🤥%, Flower” ^=🤢) was a recent a😊😆😉nd re 🤕😷😷m🤤 ark:😶able s/_ilent surpr🙄is😘 😋e *`😃$for this Herr Von; 😂-,*the oeuvre is a🥰n/🤨😚 excell)😜ent Herr Sti😑😴:l😗:(ler sil😊😶#ent film t🥰😊😑hat [🤒🤫t😊his G🙂]😇!erman count watched in a newly😌😊 res🤣tored 😋%`😪and ti😇nte😔🥰d c😪😛😙🤣o%😛😪py. It$🤗# 🙄combine🤨]s the 😗we😍🤥😉ll-kno😄😍wn (😗a🤨😛$esthe`😬🤐tic$😷s🙄🙂, technica😃😒😇😂🤨l😴😔
improvemen🤔🤥😙t😏*🙂s a🤮😉😛nd🤪😋 artistic merits for whic😛😬😶🤐h th😜🤢%e 😛:Nord)😄!:ic director w🤢🙂🤒as known and prais😍🤑*ed 🤥% s😄😒
ince those early si:lent;🙂😏 times till today.　😉🤪　T😚🤫🤫he#=😛@ film tel*🤫😑😄ls of the merry ]😪😝🤒and ca-refr*😬😃ee l:ove li😶😃😬fe 😂of /youn*g Ol-😋🙂😑o😛,f ( H)😜=err 😐;^L]🙂ars Hanson ) $)🤑%a wo🤐😚🤩o,😬🤮🙂dsma😬n😇*😀= w^^😀ho😚 duri😉$ng h 🤣is s😘🙃😛😍earc?😘-h fo😙😃$r true lov🤤😑e, s🤐e-😘😍@duces #many😔)😉 fra🙂😪ulein😁🤣s😇😘 ( +🤢just 😀🤥🤑🤭🤤like th🤮😋is 🤔 Germ😇😴🤑🤐a😜🥰n aristocra 🤥🤐t… well, not exact🤮😌😇ly because the purpose o🤑[]f this Herr Von’s sed😃😶uction😉🤪🤥 of rich fräulein heiresses are their g;$😉reat fortunes… ).🤐 He will /**suffer dis😇= 😒ap😊*`p`#ointment🤔🤥🤗 and#=🤫🤪 😊😏dece\😋pt🤔 /🤣ion, +,😪a🤔😌]😬ll those pro😅😔😀 🙂blems that😂😂= t😅u😇🤭😋rn u:😒😁🤣🤮p😝😑🙄🤕😝 in any [🤥+[l😐oving relationship😏._😪😁 Fi🤩😄na lly he w😗😏🤫🥰ill find+🙂, responsibility and m_🙄,at-😒urity, learning 😂 d😪🤤😃urin😶 🤤🤥g hi🤨😃🙄s particular quest t*/h)-🤨at hi😝😷😜s act😐😙!😁🤮ions a
=lw😶$🙄🤑ays 😷🤨have conse🤪😍🤨🤣quence%s 🤮🤒in different degre^😚es to the )🥰]🤥people =@+around🤥😒,(🤕 him. /🤗😀🤢,T😔😬😋]his `Herr Vo😏n can descr/😁)🤫ibe 😋😋
😋“(Sangen Om…” as 😊😴/a kind of coming of a🤣😘😙ge film,$😶😜 %)😂the spec😔*🤔i% @=al 😄in;😝😚[trospective g-😍*🤒ro 🤣🤒😛wth towar?#],d mat🙄uri-@😂🤭ty of a free and easy ?😔😋😔🤣youngste🥰r😶%.　　As this German co]:unt s#🙃a🤭
id🥰😌 be`😴+😅🤫fore, 🥰_🤒%😆the fil😔\m di😔🤣splays S😇🤢tiller’s
😐😛 charact#
%🥰eristic arti;s+`tic v😘😶🤒🤗irtue (s. ; in 🤮 😆the fi😌rst 😅pa^🤑🤒 ;rt of \😶😑😪the film, 😜🤫😆we +🤣can 😒😄🙃se_🤨e elements of_ comedy, not exa?😐ctl🤔😘😛:y(🤒 like the 😗^😴comedy😔
of i😂/]ntri
😌gu;,)es in 😔other 😘😴Stiller fi😊l😬😃ms,🙂😅🤨😋 but humor of a more 🙂c🤐 😑heerful so😶😌🤣🤩rt😴, h😆🤢🙂
ighlighting 🤤@th^e s😘😃🤔🤩😪elf-invol_:😃ve😗%😚me😐@nt😛[🤮😂 of our hero.😃:%😷 Olof ‘s frivo😄🤩@l🤩ous flirt🤫🙄at😁#ions with the diff🤭!🤣e😏😴rent g🤥 )irls e*😪\v😉🤒😷entually tu😄🤤r😊*:n r🤣omant+😃ic a😀🤮n:d then tu🙄rn i😉🤔🙂😉nto😁😒😒🤫 drama🤑😙=.]😁🙃 T?😀😅😑here is c🥰!on.(flict\😷[ in 😑_the😬+😗🤣 troubled relat_ionship be#/🤤🤪tw-een _🙄?😑🤤Olof and h+🤭]🙃i]🤭s f😬😑@athe😔🙂😐r an[_😊d later, w*$😜😔it😂h _the%🤪😑 fath🤨er of 😔😀his beloved. T😐😑!🤨he 🤫😁🤮be_^🙂autifu?😆😀l and wild n(😶 a🙂🥰()tur😙🤑[al landscapes _#of Norrla😀😔😆nd#😂 a😍nd no!`rther😷n Sweden lend th😴😂e ,tale🙄😒😏😛😬 a certa^😌🤕in power an🤫😅d 🤤🤔🤒is🤪/🤐😑 characteris(😇tic]😚 o😶😄f😪🤢 Herr🤕😛 Stiller’s other silent🤩$s 😂 [where Nature 🤔😴emerg:_,es as🤩 an i*mportant chara_😪😂cter in the stor.y. This .😆is strongly re😌.flec😅(ted th:😙roughout😶 the🤢🤢😃 film but especi😒`al🤭!l😚😍🥰y d 🤩🤩uring th.
-e f😬😘rantic scene wherein Olof descends into-😅 th//e t🤨🤕🙄rou]😂`bl😏😆ed waters ?)of a river,😔😅 a 😑😍🤭beautiful meta🤥^!p🙄hor for the +😛🤪hard🥰.ships th🤭\^at our her\😚😉o%🤨 has =🤒]to endure🤫🤗 until he f🤗-i😜!😋nds hi🤔😉😚^mself.　　“Sangen Om Den E🤐😂ldröda Blomman” is an excellent,😙😔😄 beauti😷*😀ful film, a so😀😔😌lid, t🤤😒,echnically😀😙 perfec😄🤩$ t and intricate 🙂[😐😁🤭production of 1919 that demonstra[😂tes o`@🤔 nce again$🤥😗😍
the importance o😬😙f:!😑😜 Her😃😪[r Stiller for sil😛🙂en 😚)😐t fi-😒😂`lm history.