剧情简介

Two differences between this(😊😗😐😬 Austrian😁😂🤥 version and the generally😬:,😬 available Ame😷😃😍rican😀🤪, ve:🤔rsion are immediately 😜ob=🙄)vio😏%^:us t/hey differ bot,h in their length $ and i😇😬n 😛😪th🤣e language of th🤨😀.🤢e intertitle😆s. T:🙃🤒🤫he American versi!,o@🤒n is only 1,88)🤫😗🤩3😙😉/ metres😑😴😇😙 long😪🙂 - at 18 fra
😉mes per [second 🤥=🤭a differe🤫😀nce of some 7 .(minutes to 🙂😍).the🤩🤔🤫,/ Aus😬[trian]😘😍;😚 v😏😋[😬🤕e,😬/rs:[)🤮ion with 2,04😴😏😀🤥5 %metres. Whereas we originally pres😚#*umed o😄🤢😆nly😙😪=😙 a ne😒$gligibl🤥/e 🤒🤢)difference, resulti*😐😄😬n🤥g from the 😏+😚🤐varying🤣 length of the: i😑🤕ntertit+=🤑(l🤑😀🙃[es😘😝%🙂, a direc🤨(🤪t #+😗com😉 p🤪`😏ariso😪🤗😐n has neverth-( 😇e.🤔l 😔e😄 😍ss shown that the Aus#[😋😚t
😇ria/%n version 😃🤗differs🤮?.😅 from t😏😪🤐he Am🤭er🤣😪ican version both in t(😙he😁😙😍$😝 montage and%🤐 in😏😀🙂! th🥰*😏😉🤐e d🤔😋😑uration of in🤑dividu🤒al scenes. Yet🥰😔🤒 how 😗/🤪coul😷🤒d it happen🙄
,🤭 that the lat😘🤑;:er r@😙egional🤫😅) distributio😌$😪n %😗😴😬of 😂a@.😘🤣 canonical US sil🙂🤢🤫)ent fil😶🙃m was😅 longer t*han the 😪:🤗or😷😍😶igina-l vers.]ion　　T😴,he p😏😚:reva🤭le 😐nt Amer.😜ican versio😄* n😑 of B= 😘#😄l😔+in
🤪(d Husbands d`!oes not correspo🥰😒🙂nd 🙃-to the ver😪😶😘%si🤕o😅=[😗n@ sh+😔 🤮o🙄😪;wn at the premiere 😊🤫🙄🙂 o+😛@🙄🤗f🤤 1919. Th😔😊is little-k😃🤭🤗nown fact was]=😏😑 alrea 🤮dy pub(🤥lis😋😉,he😷😴d /-b😗😝😷y Richard K😅o🤨😏🤣szar;=🙃*sk🤔^i i🙃😴$[n😍😬😚 1983. The🙄🤑, film was re-relea/^@🤢🤑sed #🤑😁😜by Universal Pic=🤩😔😁ture😛😴s in 1😶🤒😋924, in a ve😴😍r🤗😏sion 😆_that 😌
was 1,365 feet (416 metres) shorter]. At 18 frames pe-:😴
r second😊🙂😜, this amounts 🤔😒to a\; 🤒😬ti+😆me differe😴😴😬nce of 20 minu%(?)tes! 🤗😜Ti😒`🤒tles 😶[😴wer🤥[😂(e altered, sn:🤭i 🤨
🤩ppet😆s of action😗 r😇emoved and at least on!]:e major scene taken out entirely, :🤪😉🤑😔where von Steuben and Margare😶!t visi😙😐t a !small local 🤤chapel. (Ko🙂🤮sz😔arski)　　]🙄From the 😝🤤😝!pr😒e🤫=sent s😆🤪=😄ta🙃\te of re😉sear/🤒ch we can\😂🙃 assu,😀me t😅hat all the#🤕 known😶 Americ;
an c=\😔🤪opies of the film🤕$😚😘 🙄🤮😁deriv*🤑e from this😬🥰$😌😌 shortene😀🤩😁d re🤑-🤩😇rele😶😛ase ve😂🤨/rsi😂]on, :😅a copy of which 🤫Univer😜😛😚sal donated %🙃😪t😉-🤗o 😛🙂the Museum of😏 M🤨😐🥰o😛😊🤨der🤕😀n Art in,_ 1941.😝 ,,A/ 🤗🤤😚ccording to Ko😁😏=@sz🤩arsk😌🤕😛🤣😷i the+:😗🤔 ori😄😚🤢gin🤣🤫al 😏🤗n!😍[ega😂🤤ti🙄🤒😝😐ve o😁😁f the fil*%😘,m was ]😂destr😀😅😃oyed 
🙃sometim😑_😘😛e b😶🤐🙃 etw😙een 1956 a^nd 1961 and 😗🤐has therefore been 😇$]i🤪rretri😴🤫😔🤥evabl:`🤕🤑y lost😊[🙃. Thi`😷😐🤨s infor:mation c🤮asts an inter🙄esting light on th😬e Aus
🙂😋tri/🙂an  😉.v*,😇😋ers😴😚🤭:i;o🤩😊🤮😆🤤n, whic)😋h😇🤨 can🤔\🤕😪 be dat😃🤗ed 😃🤫to the period between_🤭 the 🤤🙃😚😄s😛u😑,mme😆r o, f 1921 and the wi._😋nter o🤭:%f )😐😶192🤨😂🤣😏2. Furthermo😃
@,re=\,😍 😃 th😌😬e cop*😒=y# is so.🤒me 200 metres😘 longer ]😅 than th😜🤥e US version of 1924.😆🤔😶/ If one/🤤 fol🤕 😁lows the #🤥🤭details given,😙😒 by Richard Kosza^🤤!rski😄😇😄😘 and Arth[😌ur Lennig-🤣😗, 🤕🤢🤮this me\😏😏=ans th:#at, as far 🤭(a🤭😃🥰s both i🤩🤫😴ts🤕😙 d🤥😚ate and🤑😃 i😐🥰ts ([l#😒engt🥰\!;h are con😃🤐ce😀🤤.rn🤕.$😍ed🤤😃, t:🤔 he@🤭 😆😌😊A-😜ustri]😄🙄🤩an versi:!;on li 😝[es almost exa😔😊ct😀l🤪🤐😴y in😒😘😚%🤐 the middle between the (l🤨*🤑ost) version shown at the pr_^+em=😜 😒🤥ier😷😂e and the re-released one.A la😔😃🤨rge pa😴^😏rt 😐😛of the #
addi/ 😚😇t, )🤥ional length 😝of the😴`- film c😂😍an 🤐🤤`be traced to😑😆 😒😅/😑+cuts that w😌🤔😃🙄er😇@🤒e :🤮😙😚made.🤒🤔 t😛😷🥰
o the 1924 v🤔/ersion in almos^🤔t every shot. Koszarski de😊😝🙂scribes how t$😌he begin(ning and 😀+th😛-e e#😴😘nd of 😅🤮🤕😴s🤥🤒🤢😁🤩cenes we😑🤢re t😃🤨🤭rimmed 🤮 🙂, i😍n order to s😁😍😄peed u😌p the fi🥰lm. How😬🤩🤐🤭:e😗🤐ver, 🤤😅=😗more .😇]ex🤫🤐c@=iting was the discov🤒🙂ery that the 🤭😙Au😑🤕😷strian😃 v😪e😆,😗😁rsion contains sh😚😬ot😂😙s t😑:h😜🤥🤑at ar😉e+😋🤭😆 mis^s😪😔😒ing,😇 i🤮 😴n😅😪😂😙 ?t🙄 😁🤥he American o:🤕ne - sh==🤒otscounte/😁rshots, i\🤕n😗😷t,🤤;er🙄😷titles 😀🤥😏^- and fur😔:😚🤗ther😗😘😋more sh😌
ows😑 differ🤮🤑ences in🤑🤐 its mon😒]😙tage 
!(i.e. th 😬e*😍 =🤕placin😌(g of the 😐#ind😶😙
ividual s😆🤔😍😒ho😷😀ts wit]hin a sequence). 🤕😆😙All this indica-@tes that Die 😑😇+Rache😘😃😚 der Berge constitu 😷😃🙃tes 😄😆
the😑🥰 oldest😇)😄😚 and most co.😀😚😉😅mp😜🤭letely pre) se)😚r🤣😝ved material of the film.