
巴伐利亚打猎๐๐ @^即景
剧情片
- ๅนดไปฝ๏ผ1969
- ๅฐๅบ๏ผ其它
- ่ฏญ่จ๏ผ其它
- ๅฏผๆผ๏ผ彼得ยท弗莱施曼
- ไธปๆผ๏ผMartin,Sperr,Angela,Winkler,汉娜ยท许古拉
ๅงๆ ็ฎไป
ynopsis f`๐]rom Time Out $))๐F([๐ค๐ilm G๐๐ทuide Between th๐-e s๐ค๐ทeemingly idy๐ค๐๐คฉllic ope๐ค_๐๐ni๐,๐ng an๐d c๐๐losing scene.๐คชs depict$=๐คing a r๐ค๐๐ur๐๐!al community, first at church,\๐ท\\ the๐คซ๐คฅn a๐๐คฎt t๐๐ถ^:he villag๐คช๐๐, e fe,๐+stival, Flei๐๐๐๐s! ๐คชc๐๐ช๐ทhma:+nn attacks that communit๐คซ!-y's preju@๐dices ๐ช๐คฎ๐คจ_and ignorance๐ without๐ค๐๐๐ท๐ re๐๐morse. His very ๐คค_pr๐๐ฌ๐ec)๐คis๐๐ด๐ e๐ค ๐๐๐l๐๐คฉ๐[y observe+๐d ๐๐๐๐คportrait of๐คฉ .๐ Bavarian life begi=๐ทns wi ]๐ th ^๐๐คlit๐๐tl!๐ชe more than a di;!splay of the vi๐๐๐lla ๐ท.๐ค?gers' constant ribb๐๐ing, bawdy humo๐คฅ๐๐ ur@๐, c๐ช_๐ฌon)_`t๐คจinuo๐คus go๐คฅ ๐s๐ค๐คฎ$s๐คจ_i๐:๐ถp, and more*๐ช t๐(han a hint o[๐f thei๐๐คข r๐คซ๐๐ slow-witted๐ชnes๐๐(๐s๐. With th๐คฉ๐ค:e return of a$๐ yo;๐u:๐ค#๐ng man, t๐ ๐heir idl๐๐๐:๐e malic๐e a๐๐ท nd ch๐.ildi:sh c๐คฉ๐คฅ๐lowning, ๐๐ a[)lways๐ด๐ฅฐ๐ on the ed๐ g๐_๐e of un ๐คฃple^.๐๐ดasantness, rec!+๐ei๐๐๐ve so๐๐[๐ฅฐme focus quite wit๐คฉ๐คญ๐คฅ๐hout fo!undation, the ๐ท๐ฅฐlad is -๐ฌ] v๐]ictimised ๐๐ชas๐๐ค๐ a homos๐ถ๐คจ;%๐คฃexual. + _T๐ค.๐he cr๐๐คฃ ๐คฃippli๐ฌ๐ถ๐๐คซn๐๐[g conformity of their๐๐ค ingrain๐ed con๐๐๐ด%servatis๐๐_[m leads t๐คฃ*+๐คhe villag_๐ ers to ๐คฅ๐reject an,๐ค๐ythi๐๐ ๐๐ng ๐๐;๐'d๐ ๐๐ค๐iffer๐ค๐ent'๐๐๐ค๐ a youn๐คญ๐๐g widow is[$๐/ o๐๐ฅฐs๐%๐คtrac๐คฅ๐คฎ๐๐คญ๐ised,๐คฎ more for her crippled lover and๐คฅ๐ ?*๐idiot son $๐than h_๐คญer moral๐คซ!s; ๐๐a ๐teac๐her is froze๐คญ*@n o๐:ut because she's educated;๐ ๐๐ค t๐ค๐๐he casua๐คฃ๐คชl destru=ction of the y@๐๐ค:=oung 'homo๐๐ ๐๐se๐xu๐ค๐๐๐ถ๐คฎa๐ถ๐l' is giv๐๐,๐คฅ๐ฌen)/๐ค๐ no mor๐๐๐๐ทe tho] u-๐คฉ ght๐คฅ๐ th๐คค๐,an ๐ ๐_the ๐ฅฐ๐คฃ๐cutti$๐คn;๐คข.g up o๐๐,๐๐f;๐ ๐ a pig๐ท๐๐๐๐ค. Not Germany in the '30s but the '70s; nevert๐ค hele๐!๐ ss# ๐ค]?the political parallels are ๐ถ๐๐๐clea?+๐๐r๐๐๐ค๐คญ๐คฉ. An ๐๐๐impressi๐ค๐๐คve film.