
一曲相思未๐ท๐๐了情
剧情片
- ๅนดไปฝ๏ผ1960
- ๅฐๅบ๏ผ美国
- ่ฏญ่จ๏ผ英语
- ๅฏผๆผ๏ผ查尔斯ยท维多,乔治ยท库克
- ไธปๆผ๏ผ德克ยท博加德,卡普西尼,吉内瓦维ยท佩吉
ๅงๆ ็ฎไป
In a confused welt๐๐er of arti๐๐ค๐คฃstic[ l๐๐ค$ice๐คค๐ฅฐnce, t_๐คฅ๐hi๐ฌs is t(๐ฌhe :classical\๐ music ๐*๐๐biopic wh๐@ic-๐h mak๐ ๐ค๐^es 'Son$๐_g to Re๐ค๐ค_me๐๐คช๐mber'look like a ๐๐mas๐?-!terpiec[๐e. Bogar!@๐คฎde succe๐๐คช๐คeds i๐คญ๐คญ๐=n diminishing the reputation of the๐_ musical c๐๐olossus who spann!๐_%ed๐:๐ค Europea/๐n ๐ถmu๐๐s-๐๐คจ๐ic fo๐๐r mos]/t o.๐f t@$/h๐ด๐คช@๐[e 19th Century. The๐:๐ absurdities of the #[$plot, ๐ (๐คthe sequoia-lik`e quali ?ty of the ๐-๐๐ฅฐac๐คฎ*ting and the p,_re-๐คฃ?๐คซ๐valence๐ ๐- ๐ค^๐:of histo๐rical!`,musical a#nd๐๐คฎ๐ linguistic ๐คฉ%anachr]on `@ism๐ค๐s c๐?+ombi/๐ช%๐n๐๐e to e๐ด๐ช \@lev#๐ทate t๐คญ]$his offeri๐๐ค๐คng to%_๐คฅ th๐๐คข ๐ ๐e stat๐คu๐๐s of๐] an A1 turkey.How a ๐ช๐คฉ: ๐pianist ๐คจ$of๐?๐ the sta๐๐คฃture of Bolet(๐คช๐ด๐ด ๐๐คคcam๐ค๐๐คค๐คฉ๐e to b ๐ค๐คขe mi-๐x๐,๐\;ed ๐คข๐คช๐up in this fiasco@,$ can only be (g๐คจ๐คข๐คu/๐คessed at. The`๐๐คฅ; [๐๐characteri[ ๐๐๐sation of Liszt๐ฅฐ๐- fails to convey ev๐คฅ?#๐คญen a mi ๐ค]nute๐ด/\๐ค i๐คฅ+๐mpression o๐f๐ ?๐ his magne ๐๐tic๐๐ personality **๐and the ov๐ค๐คค๐๐๐คคerwhelm.๐])in๐!g๐คฉ(๐@ effect ๐๐ ?#th๐คat ๐ด๐he ๐ท/had on not onl๐ค๐y๐= his au๐dience๐ด๐.s, but also h๐๐คจ๐-is ๐คข pianistic rivals.Clara Schumann h๐ช๐ท erse?๐lf said th๐๐คฅ๐?a๐๐คคt๐๐คฉ 'we๐ค๐?๐๐ค toil๐๐๐คฉ over that w@๐คซhich Lis๐คจ๐๐;zt r๐๐คฎeads ๐๐a;๐t#!๐คฉ! sight!' Whil๐st ๐^ /th๐e emp,๐๐hasi๐๐ค๐s seems to๐ค๐ถ๐ focu ๐คญs on hi_s+ ๐romantic prowess,rather than his sta๐!๐@%tus as the greate๐คฉ๐ถ๐คชst pianist of+ the century or๐#?๐คข,arguably,$*[๐คข of๐๐๐คฉ a๐๐ฅฐ๐`ll [๐๐คจ๐คฎt_%๐๐ime, one fee๐คค?๐ls,nev๐คฉ๐๐ชerthele๐.๐ค๐คข#ss, tha๐)t this was an opp๐ช๐คชortu๐[nity l=๐คฃ ost.