剧情简介

The😜😄) lines s@🥰tart(😴^😗🥰 with “🙄😂O Somma Luce” which is the😐😃😴😬 t🤔it🤤😪le 😝of the film and.🥰 also t[🙄)h😚🤔😷e 67th line of the 33😴😶😬rd canto =,😘in “Paradiso^🤔” of Dante’)🤔s “Di\vine C
😐😬🤢omedy” to the end of “Para😌diso)$”. The film is c omp😜let😆+🙃😬ed 😗😪-with🤐-😂$ music and😍
lines?😋🤕 😀[🤐🤮`i😜😅ns:)te😴😍ad😌 of emotions and narratio🤒%🤭🤒%n;s. This is😶🤣^_ a rece!🤮#nt attempt to co🙄😜@mbine film wi🤩😆😙🤨:th literatur🤥🙃e.　　😗🤢The fil_:]😙m b🤪😶egins wi😪🤗!:th a bla😷;ck screen a_😬🙂🤑😂nd the mus😍ic of Edgard🙃🙃🤭# Vare😷se🤔.😉😚 The BGM is 😃,😆😂🤢“Des(+[erts” 🤑😃tha😚🙃t was recorded in 1954. 🤪😇 Af 🤪]ter some 😶=?😝😐mo🤥😌🤩😏me😚^🤫
🤨nts of 😑😂darkness,🤥🤫😇+ the music ends😁 a😴🤤😔nd a middle-aged_😊🤪😂 m#🤨an🤑😛 sits on a]-% hil😒l🤕], reci)🤣ti🥰ng😝😂😴 s[ome😒%😐thing. He is🙄 Giorgi🤮🤨o Pas😪😶`🥰ser
on😷😅🤑😁e, an I😔🤥🙄talian 😪😀l😀🤗😝😃iter🤪ature😁 professor, and he is read🙄🤗😔in_🤪g out of the la🤤st p-_;a😒]😍rt😌# of ‘P😪🤑[😗aradiso’ of Dan🤥🤥t;\😘😆🙄e(’s Divine (😶C^😛😷😔omedy. ?🤣🤢Jean-Marie 🙃😅😙St,🤥/raub exp:$r🤫😝esse🤑😅🤥d how he thinks of Dan😪😊te🤣# through a😴🤔🤕 s*u=btl😆😘e a🤐ccent and di(😐[a😴lect. The di😷😊🤥🤒rec,🙃@,to#😁r who😆😪 had enco@😐de *d many😝🤑 /🤫great artists🤑😐🤗😔 and musicians including😁%😐 Bac😆🤪🤣h, c:😒`ompl😂😆😚😄ete th🤒🤭=,]e c😋😆🤨omb😑😄😆
🙄ination of Dante and Va-rese, wh🤫$🤭ich cou😬😴ld seem str)😐😋,ange😅#. (Lim😁🤥🙃 K+/ y😑🤐😙ung Y/😛😝😊on😃🤭😁g)